Out of Africa: And Shadows on the Grass Page 2

  When I first came to Africa, there were no cars in the country, and we rode in to Nairobi, or drove in a cart with six mules to it, and stabled our animals in the stables of The Highland Transport. During all my time, Nairobi was a motley place, with some fine new stone buildings, and whole quarters of old corrugated iron shops, offices and bungalows, laid out with long rows of Eucalyptus trees along the bare dusty streets. The Offices of the High Court, the Native Affairs Department, and the Veterinary Department were lousily housed, and I had a great respect for those Government Officials, who could get any work at all done in the little burning hot, inky rooms in which they were set.

  All the same Nairobi was a town; here you could buy things, hear news, lunch or dine at the hotels and dance at the Club. And it was a live place, in movement like running water, and in growth like a young thing, it changed from year to year, and while you were away on a shooting Safari. The new Government House was built, a stately cool house with a fine ball-room and a pretty garden, big hotels grew up, great impressive agricultural shows and fine flower shows were held, our Quasi Smart Set of the Colony from time to time enlivened the town with rows of quick melodrama. Nairobi said to you: “Make the most of me and of time. Wir kommen nie weider so jung—so undisciplined and rapacious—zusammen.” Generally I and Nairobi were in very good understanding, and at one time I drove through the town and thought: There is no world without Nairobi’s streets.

  The quarters of the Natives and of the coloured immigrants were very extensive compared to the European town.

  The Swaheli town, on the road to the Muthaiga Club, had not a good name in any way, but was a lively, dirty and gaudy place, with, at any hour, a number of things going on in it. It was built mostly out of old paraffin tins hammered flat, in various states of rust, like the coral rock, the fossilized structure, from which the spirit of the advancing civilization was steadily fleeing.

  The Somali town was farther away from Nairobi, on account, I think, of the Somali’s system of seclusion of their women. There were in my day a few beautiful young Somali women, of whom all the town knew the names, who went and lived in the Bazaar and led the Nairobi Police a great dance; they were intelligent, and bewitching people. But the honest Somali women were not seen in the town. The Somali town lay exposed to all winds and was shadeless and dusty, it must have recalled to the Somali their native deserts. Europeans, who live for a long time, even for several generations, in the same place, cannot reconcile themselves to the complete indifference to the surroundings of their homes, of the nomadic races. The Somali’s houses were irregularly strewn on the bare ground, and looked as if they had been nailed together with a bushel of four-inch nails, to last for a week. It was a surprising thing, when you entered one of them, to find it inside so neat and fresh, scented with Arab incenses, with fine carpets and hangings, vessels of brass and silver, and swords with ivory hilts and noble blades. The Somali women themselves had dignified, gentle ways, and were hospitable and gay, with a laughter like silver bells. I was much at home in the Somali village through my Somali servant Farah Aden, who was with me all the time that I was in Africa, and I went to many of their feasts. A big Somali wedding is a magnificent, traditional festivity. As a guest of honour I was taken into the bridal chamber, where the walls and the bridal bed were hung with old gently glowing weavings and embroideries, and the dark-eyed young bride herself was stiff, like a marshal’s baton with heavy silks, gold and amber.

  The Somali were cattle-dealers and traders all over the country. For the transport of their goods they kept a number of little grey donkeys in the village, and I have seen camels there as well: haughty, hardened products of the desert, beyond all earthly sufferings, like Cactus, and like the Somali.

  The Somali bring much trouble upon themselves by their terrible tribal quarrels. In this matter they feel and reason differently from other people. Farah belonged to the tribe of Habr Yunis, so that personally in a quarrel I sided with them. At one time there was a great real fight in the Somali town, between the two tribes of Dulba Hantis and Habr Chaolo, with rifle-shooting and fires, and ten or twelve people killed, until the Government interfered. Farah then had a young friend of his own tribe, by name of Sayid, who used to come out to see him at the farm, and who was a graceful boy, so that I was sorry when I was told by my houseboys that Sayid had gone round to visit a Habr Chaolo family in their house, when an angry member of the Dulba Hantis tribe had passed and fired two shots at haphazard through the wall of the house and broken Sayid’s leg. I condoled with Farah on his friend’s misfortune.—“What? Sayid?” Farah cried out with vehemence. “That was good enough for Sayid. Why must he go and drink tea in the house of a Habr Chaolo?”

  The Indians of Nairobi dominated the big Native business quarter of the Bazaar, and the great Indian merchants had their little Villas just outside the town; Jevanjee, Suleiman Virjee, Allidina Visram. They all had a taste for stonework-stairs, balusters, and vases, rather badly cut out of the soft stone of the country,—like the structures which children build of pink ornamental bricks. They gave tea-parties in their gardens, with Indian pastry in the style of the Villas, and were clever, travelled, highly polite people. But the Indians in Africa are such grasping tradesmen that with them you would never know if you were face to face with a human individual or with the head of a firm. I had been to Suleiman Virjee’s house, and when one day I saw the flag at half mast above his big compound of warehouse, I asked Farah: “Is Suleiman Virjee dead?” “Half dead,” said Farah. “Do they put the flag at half mast when he is half dead?” I asked. “Suleiman is dead,” said Farah. “Virjee is alive.”

  Before I took over the management of the farm, I had been keen on shooting and had been out on many Safaris. But when I became a farmer I put away my rifles.

  The Masai, the nomadic, cattle-owning nation, were neighbours of the farm and lived on the other side of the river; from time to time some of them would come to my house to complain about a lion that was taking their cows, and to ask me to go out and shoot it for them, and I did so if I could. Sometimes, on Saturday, I also walked out on the Orungi plains to shoot a Zebra or two as meat for my farm-labourers, with a long tail of optimistic young Kikuyu after me. I shot birds on the farm, spurfowl and guineafowl, that are very good to eat. But for many years I was not out on any shooting expedition.

  Still, we often talked on the farm of the Safaris that we had been on. Camping-places fix themselves in your mind as if you had spent long periods of your life in them. You will remember a curve of your waggon track in the grass of the plain, like the features of a friend.

  Out on the Safaris, I had seen a herd of Buffalo, one hundred and twenty-nine of them, come out of the morning mist under a copper sky, one by one, as if the dark and massive, iron-like animals with the mighty horizontally swung horns were not approaching, but were being created before my eyes and sent out as they were finished. I had seen a herd of Elephant travelling through dense Native forest, where the sunlight is strewn down between the thick creepers in small spots and patches, pacing along as if they had an appointment at the end of the world. It was, in giant size, the border of a very old, infinitely precious Persian carpet, in the dyes of green, yellow and black-brown. I had time after time watched the progression across the plain of the Giraffe, in their queer, inimitable, vegetative gracefulness, as if it were not a herd of animals but a family of rare, long-stemmed, speckled gigantic flowers slowly advancing. I had followed two Rhinos on their morning promenade, when they were sniffing and snorting in the air of the dawn,—which is so cold that it hurts in the nose,—and looked like two very big angular stones rollicking in the long valley and enjoying life together. I had seen the royal lion, before sunrise, below a waning moon, crossing the grey plain on his way home from the kill, drawing a dark wake in the silvery grass, his face still red up to the ears, or during the midday-siesta, when he reposed contentedly in the midst of his family on the short grass and in the delicate, spring-like shade of the
broad Acacia trees of his park of Africa.

  All these things were pleasant to think of when times were dull on the farm. And the big game was out there still, in their own country; I could go and look them up once more if I liked. Their nearness gave a shine and play to the atmosphere of the farm. Farah,—although with time he came to take a vivid interest in farm-affairs,—and my old native Safari-servants, lived in hope of other Safaris.

  Out in the wilds I had learned to beware of abrupt movements. The creatures with which you are dealing there are shy and watchful, they have a talent for evading you when you least expect it. No domestic animal can be as still as a wild animal. The civilized people have lost the aptitude of stillness, and must take lessons in silence from the wild before they are accepted by it. The art of moving gently, without suddenness, is the first to be studied by the hunter, and more so by the hunter with the camera. Hunters cannot have their own way, they must fall in with the wind, and the colours and smells of the landscape, and they must make the tempo of the ensemble their own. Sometimes it repeats a movement over and over again, and they must follow up with it.

  When you have caught the rhythm of Africa, you find that it is the same in all her music. What I learned from the game of the country, was useful to me in my dealings with the Native People.

  The love of woman and womanliness is a masculine characteristic, and the love of man and manliness a feminine characteristic, and there is a susceptibility to the Southern countries and races that is a Nordic quality. The Normans must have fallen in love with the foreign countries, first with France and then with England. Those old Milords who figure in the history and fiction of the eighteenth century, as constantly travelling in Italy, Greece and Spain, had not a single Southern trait in their nature, but were drawn and held by the fascination of things wholly different from themselves. The old German and Scandinavian painters, philosophers and poets, when they first came to Florence and Rome, went down on their knees to adore the South.

  A queer illogical patience towards an alien world came out in these impatient people. As it is almost impossible for a woman to irritate a real man, and as to the women, a man is never quite contemptible, never altogether resectable, as long as he remains a man, so were the hasty red-haired Northern people infinitely long-suffering with the tropical countries and races. They would stand no nonsense from their own country or their own relations, but they took the drought of the African Highlands, and a case of sun-stroke, the Rinderpest on their cattle, and the incompetency of their Native servants, with humility and resignation. Their sense of individuality itself was lost in the sense of the possibilities that lie in interaction between those who can be made one by reason of their incongruity. The people of Southern Europe and the people of mixed blood have not got this quality; they blame it, or scorn it. So the men’s men scorn the sighing lover, and the rational women who have no patience with their men, are in the same way indignant with Griselda.

  As for me, from my first weeks in Africa, I had felt a great affection for the Natives. It was a strong feeling that embraced all ages and both sexes. The discovery of the dark races was to me a magnificent enlargement of all my world. If a person with an inborn sympathy for animals had grown up in a milieu where there were no animals, and had come into contact with animals late in life; or if a person with an instinctive taste for woods and forest had entered a forest for the first time at the age of twenty; or if some one with an ear for music had happened to hear music for the first time when he was already grown up; their cases might have been similar to mine. After I had met with the Natives, I set out the routine of my daily life to the Orchestra.

  My father was an officer in the Danish and French army, and as a very young lieutenant at Düppel he wrote home: “Back in Düppel I was officer to a long column. It was hard work, but it was splendid. The love of war is a passion like another, you love soldiers as you love young womenfolk,—to madness, and the one love does not exclude the other, as the girls know. But the love of women can include only one at a time, and the love for your soldiers comprehends the whole regiment, which you would like enlarged if it were possible.” It was the same thing with the Natives and me.

  It was not easy to get to know the Natives. They were quick of hearing, and evanescent; if you frightened them they could withdraw into a world of their own, in a second, like the wild animals which at an abrupt movement from you are gone,—simply are not there. Until you knew a Native well, it was almost impossible to get a straight answer from him. To a direct question as to how many cows he had, he had an eluding reply,—“As many as I told you yesterday.” It goes against the feelings of Europeans to be answered in such a manner, it very likely goes against the feelings of the Natives to be questioned in this way. If we pressed or pursued them, to get an explanation of their behaviour out of them, they receded as long as they possibly could, and then they used a grotesque humorous fantasy to lead us on the wrong track. Even small children in this situation had all the quality of old Poker-players, who do not mind if you overvalue or undervalue their hand, so long as you do not know its real nature. When we really did break into the Natives’ existence, they behaved like ants, when you poke a stick into their anthill; they wiped out the damage with unwearied energy, swiftly and silently,—as if obliterating an unseemly action.

  We could not know, and could not imagine, what the dangers were that they feared from our hands. I myself think that they were afraid of us more in the manner in which you are afraid of a sudden terrific noise, than as you are afraid of suffering and death. And yet it was difficult to tell, for the Natives were great at the art of mimicry. In the shambas you would sometimes in the early morning come upon a spurfowl which would run in front of your horse as if her wing was broken, and she was terrified of being caught by the dogs. But her wing was not broken, and she was not afraid of the dogs,—she could whir up before them the moment she chose,—only she had got her brood of young chickens somewhere near by, and she was drawing our attention away from them. Like the spurfowl, the Natives might be mimicking a fear of us because of some other deeper dread the nature of which we could not guess. Or in the end their behaviour to us might be some sort of strange joke, and the shy people were not afraid of us at all. The Natives have, far less than the white people, the sense of risks in life. Sometimes on a Safari, or on the farm, in a moment of extreme tension, I have met the eyes of my Native companions, and have felt that we were at a great distance from one another, and that they were wondering at my apprehension of our risk. It made me reflect that perhaps they were, in life itself, within their own element, such as we can never be, like fishes in deep water which for the life of them cannot understand our fear of drowning. This assurance, this art of swimming, they had, I thought, because they had preserved a knowledge that was lost to us by our first parents; Africa, amongst the continents, will teach it to you: that God and the Devil are one, the majesty co-eternal, not two uncreated but one uncreated, and the Natives neither confounded the persons nor divided the substance.

  On our Safaris, and on the farm, my acquaintance with the Natives developed into a settled and personal relationship. We were good friends. I reconciled myself to the fact that while I should never quite know or understand them, they knew me through and through, and were conscious of the decisions that I was going to take, before I was certain about them myself. For some time I had a small farm up at Gil-Gil, where I lived in a tent, and I travelled by the railway to and fro between Gil-Gil and Ngong. At Gil-Gil I might make up my mind very suddenly, when it began to rain, to go back to my house. But when I came to Kikuyu, which was our station on the railway line, and from where it was ten miles to the farm, one of my people would be there with a mule for me to ride home on. When I asked them how they had known that I was coming down, they looked away, and seemed uneasy, as if frightened or bored, such as we should be if a deaf person insisted on getting an explanation of a symphony from us.

  When the Natives felt safe with us fr
om abrupt movements and sudden noises, they would speak to us a great deal more openly than one European speaks to another. They were never reliable, but in a grand manner sincere. A good name,—what is called prestige,—meant much in the Native world. They seemed to have made up, at some time, a joint appraisal of you, against which no one would afterwards ever go.

  At times, life on the farm was very lonely, and in the stillness of the evenings when the minutes dripped from the clock, life seemed to be dripping out of you with them, just for want of white people to talk to. But all the time I felt the silent overshadowed existence of the Natives running parallel with my own, on a different plane. Echoes went from the one to the other.

  The Natives were Africa in flesh and blood. The tall extinct volcano of Longonot that rises above the Rift Valley, the broad Mimosa trees along the rivers, the Elephant and the Giraffe, were not more truly Africa than the Natives were,—small figures in an immense scenery. All were different expressions of one idea, variations upon the same theme. It was not a congenial upheaping of heterogeneous atoms, but a heterogeneous upheaping of congenial atoms, as in the case of the oakleaf and the acorn and the object made from oak. We ourselves, in boots, and in our constant great hurry, often jar with the landscape. The Natives are in accordance with it, and when the tall, slim, dark, and dark-eyed people travel,—always one by one, so that even the great Native veins of traffic are narrow footpaths,—or work the soil, or herd their cattle, or hold their big dances, or tell you a tale, it is Africa wandering, dancing and entertaining you. In the highlands you remember the Poet’s words:

  Noble found I

  ever the Native,

  and insipid the Immigrant.

  The Colony is changing and has already changed since I lived there. When I write down as accurately as possible my experiences on the farm, with the country and with some of the inhabitants of the plains and woods, it may have a sort of historical interest.